A forum for the discussion, appreciation, and analysis of the fictional works of underground cult novelist H. A. Covington. Also for the continuation of the Covington tradition via encouraging new White racial nationalist fiction, PPO publishing tips, etc. For those wishing to contact Mr. Covington directly, his e-mail is harold_covington@hotmail.com.
Sunday, June 29, 2008
The Reel Hollywood
In real life, most of the Hollyweird actors and actresses mentioned here are probably fag-fellating Jew-fawners who would gladly star in some piece of trash about Adolf Hitler and his evil SS killers raping poor little Anne Frank while turning 6 million innocent Jews into useful household items like soap and lampshades, but would never dream of appearing in anything that doesn't carry the ADL Seal of Approval. We need our own heroes, and our own set of stars, celebrities, etc. Sadly, the closest we have been able to come are a few genuinely good and sincere racialist musicians, a lot of posers who sing about killing niggers while screwing Jews or vice-versa, and the odd interracial/faggot wanna-be porn star feeding off the rotting corpse of Dr. Pierce and what's left of the old National Alliance and it's famous "Dildo Squad".
The only scene from a Covington novel I want to see the gay-liberal-lefty-trendy Hollywood race traitors play might be a real life version of one where they are swinging from trees and lamp posts, or standing in front of an NVA firing squad.
Heil Hitler!
*****
I agree that the overwhelming majority of Hollywood actors are left-wing scum, but let's face it: the last decent movie that came out of Hollywood was Birth of a Nation and D. W. Griffith is long dead.
Folks, this is a fantasy exercise. We all know that no producer or director in Hollywood would ever touch any Covington novel, so it's not as if any imagination we give rein to here will ever come about. But it is kind of nice to imagine a world in which white authors and white moviegoers get equable treatment, even if only for a short time on the internet.
Yes, this is all a game, but it can be kind of a fun game, so lighten up and enjoy!
From Anonymous: Cody Brock - Joshua Jackson Nightshade - Rachel Leigh Cook Kelly Shipman - Erika Christensen Bobby Bells - Dennis Farina Frank Barrow - Ed Begley, Jr. John Morgan - Fred Ward Carter Wingfield - Kevin Spacey Mitch Newman - Adam Sandler From Marie Cody Brock - Justin Timberlake Nightshade - Lindsay Lohan Kelly Shipman - Kirsten Dunst Bobby Bells - Tony Sirico Farmer Brown - Richard Karn Mitch Newman - Eric Bogosian Frank Barrow - Willem Dafoe John Morgan - Tommy Lee Jones Howard Weinbaum - Michael Lerner Susan Horowitz - Anne Hathaway And what's wrong with Lindsay Lohan? She's a great actress!
[Originally published September 1 2006] Since HAC is now "going Hollywood" in the Book Four excerpts, this introduces a fascinating topic for discussion. Who would you like to see play the characters if we can ever get Mel Gibson to stay drunk long enough to make a movie out of some of Mr. C's novels? No Jewish or openly fag actors except for appropriate parts, please! Heath Ledger and Jake Gyllenhaal are disqualified for Buttfuck Mountain and Julia Stiles is disqualified because of O, Wicked, and Save The Last Dance. My nominations for the cast of A Distant Thunder: Shane Ryan - Ben Foster Old Shane Ryan (Narrator) - Patrick McGoohan Rooney Wingfield - Laura Prepon Carter Wingfield - Brendan Gleeson Red Morehouse - John Lithgow Leon Sorels - Bill Goldberg (the wrestler) China Wingfield - Amanda Bynes Ma Wingfield - Kate Jackson Special Agent Bruce Goldberg - Eric Bogosian Tank Thompson - Tommy Lee Jones Suggested cast for A Mighty Fortress: Cody Brock - Tobey Maguire Nightshade - Emily Perkins Kelly Shipman - Kirsten Dunst Bobby Bells - James Gandolfini Frank Barrow - Liam Neeson Farmer Brown - Tom Berenger Joe Dortmunder - Wayne Knight Carter Wingfield - Brendan Gleeson John Morgan - Rufus Sewell Mitch Newman - Jerry Seinfeld Secretary of State Stanhope - Michael Caine Howard Weinbaum - Ron Silver The casts we could suggest for all our favorite HAC novels are almost endless. Send in your suggestions today. Add them as comments and I will post the better casts on the main blog itself. Update September 6th Here's a good cast for AMF from Anonymous: Cody Brock - Sean Faris Nightshade - Heather Matarazzo Kelly Shipman - Hillary Duff Bobby Bells - Mitch Pileggi Farmer Brown - J. K. Simmons Frank Barrow - Hugh Laurie Red Morehouse - Dennis Quaid Jane Chenault - Elizabeth Rohm John Morgan - George Clooney Carter Wingfield - Kevin Bacon Mitch Newman - John Turturro Walter Stanhope - Harrison Ford Susan Horowitz - Danielle Panabaker Anonymous adds: "I'm amazed no one's thought of Hugh Laurie yet for Barrow. He's a natural, matches the description in the book perfectly." That's a big ten-four on Hugh Laurie! Good thinking, Anon!
The Defeat of the Jewnited States As Imagined by H. A. Covington
Posted by alex in White thought, White fiction, Michael O'Meara, white nationalism, White media, White plans at 7:21 pm Permanent Link
by Michael O'Meara
Those who want to live, let them fight, and those do not want to fight in this world of eternal struggle do not deserve to live.
H.A. Covington's Northwest Trilogy of novels - Hill of the Ravens (2003), A Distant Thunder (2004), and A Mighty Fortress (2005) - now represents the most worked out and authoritative treatment of White Separatism in the English language. Both as popular fiction and political tract, it is a remarkable work. But most remarkable of all is the utter silence that surrounds it. If not for a VNN "respondent" (the wise and judicious "New America"), I might never have learned of its existence.
I'm not quite certain why this is. Covington's Trilogy is infinitely more readable and convincing than William Pierce's Turner Diaries (now one of our classics), but has probably sold only a fraction as many copies. Part of the problem with its reception might lie in the fact that Covington, a veteran of the NS movement, has made not a few enemies within "the racially conscious community," evident in his numerous critical references to Pierce, as well as to Koehl, Klassen, Metzger, Duke, Webster, Tyndall, and others.
As a nationalist whose experiences are mainly European I have no actual knowledge of Covington's personal history or of the sectarian squabbles that have alienated him from other racial nationalists. For this reason, there may be a subtext to his Trilogy that eludes me. I only know the Trilogy as a work of political fiction. But on this basis, I can categorically say that Covington is a great talent and that his work speaks, as no other does, to the burning question of our age.
Political fiction has one overriding purpose: To reach those who can't be reach through rationalist discourse. In this Covington's Trilogy is superb. It is full of memorable characters - classic American types (strong, daring, two-fisted white males) who remind us of our ancestors and not the ridiculous creatures we see on nightly television. It abounds with actions and adventures that evoke our earliest racial memories and reveal what we can be once freed of the Jews' lunar spirit. It conveys the ideals of our movement in a language and style accessible to those who would otherwise ignore them. It tells an exciting story that is both entertaining and didactic. But above all it imagines a course of action - perhaps the one possible course of action - that will insure our existence as a people. Whatever one might say of Covington the activist, he's made a work of art out of his separatist vision and it deserves a hearing.
It is not, though, his art that I want to address in this essay, but rather certain of his ideas, three of which I think are fundamental to the politics of white racial survival in this period. To put these ideas in their proper context, something needs first to be said of the story Covington tells.
As a separatist, he believes the present situation is such that any hope of reversing America's "de-Europeanization" or the Judeo-liberal regime in Washington responsible for it is no longer feasible. The sole option left to whites seeking to ensure their existence in North America is to break off a portion of the lands their ancestors possessed and establish a white homeland. To this end he proposes the "migration" of racially aware whites to the Pacific Northwest - the whitest section of the United States - to create there the critical mass that will be needed when the time comes to wage an anti-colonial war against the Zionist regime in Washington.
Premised on this migration, his three novels revolve around events that occur sometime in the second or third decade of the 21st century, when all the tendencies presently in place have been taken to their horrific and ethnocidal extension. For reasons almost providential, whites in Coeur d'Arlene (Idaho) finally rebel, when they spontaneously resist federal agents attempting to carry off the children of a politically incorrect, but well regarded family. Locally based members of the "party" created by the migration then intervene. They help arm, organize, and lead several hundred Coeur d'Arlene whites against the troops sent in to crush them. Their rebellion is quickly extinguished, but, like Ireland's Easter Rebellion, ignites a war for national independence.
From three different perspectives Covington tells the story of the Northwest Volunteer Army (NVA), as it leads an IRA-style terror campaign against the Anglo-Zionist forces in control of the United States. The NVA's struggle is greatly facilitated by the fact that in this future period American society and the US government have become even more incompetent than they are today. The US military is bogged down in endless Mideastern wars fought on Israel's behalf; its social system is increasingly dysfunctional, balkanized into rival racial-ethnic interest groups; an ever-growing part of the white population, unable to compete with coolie labor, is condemned to unemployment or conscription; and the material prosperity that has long served as a race-obliterating opiate has given way to the growing impoverishment and alienation of the white masses.
For five bitter years, the NVA wages the "war of the flea," blowing up key infrastructures, sabotaging databases, attacking the regime's tax-collecting and judiciary agents, intimidating employers of non-white labor - even sending Volunteers to disrupt the vulnerable lifelines that allow New York and Washington to function as the ZOG's central nervous system.
Unable to sustain the damages and disruptions of these assaults, Anglo Zionist representatives of the federal government are eventually forced to negotiate a peace settlement with the insurgents, negotiations which end up sanctioning the secession of Washington, Oregon, and Idaho (along with parts of Northern California, Wyoming, and Montana) from the United States of America and the establishment of a white homeland under the political auspices of a Northwest American Republic.
1. The Jewnited States
Unlike racial conservatives (Vdare and AR types) and not a few white nationalists, Covington sees the United States - not just the current administration, but the "System" itself - as the enemy. He calls it "the fount and wellspring of all that [is] evil" in our time. For at least two generations this state has carried out a systemic assault on European America, forcing it to congregate with inferior and hostile races; promoting integration, miscegenation, and the destruction of the white family; adopting policies that siphon off its wealth, pollute its culture, and corrupt its children; but above all, legitimating its self-destruction through the imposition of dysgenic behaviors and values.
With "only the most remote and tenuous historical connection with the country and system of government which was originally established and envisioned by the Founding Fathers," the United States today has become a Jew-led corporate plutocracy that denies whites their birthright. But it's not just its state, with its race-destroying policies, that wars on them. The entire American social system - the reigning civilizational forms - have become no less noxious to their existence. Covington describes early 21st-century America (and this is a projection of current trends) as "a world of unspeakably vile sexual perversions . . . a kleptocracy, quite literally ruled by criminals, some of whom were so bad and so blatant that they were even indicted under the Americans' own laws . . . a world based on no other foundation than sheer greed, wallowing in the most gross and despicable material gluttony . . . a wasteland of spiritual emptiness, moral corruption and cultural pollution . . . an entire society based on a bizarre and grotesque moral inversion: the utterly ridiculous and thoroughly evil idea that all humanoid creatures are in some manner equal."
This world born of the Jews' materialist metaphysics - this world in which man is viewed primarily as "an economic animal rather than as a spiritual being with a soul" - turns everyone into either a consumer or a commodity and everything that has traditionally made life worth living - family, community, religion - into an economic calculation. Whether rich and poor, the "citizens" of this Jewified enterprise live "all doped up, dumbed down, zoned out . . . confused, hostile, paranoid . . . looking out for nobody but Number One." America's traditional European life forms become not only unsustainable under such a system, they are demonized and rendered criminal.
No self-respecting white man, Covington assumes, would want to preserve, reform, or redeem such an abomination. As one of his Volunteers says: "I didn't want to be an American any more. I wanted to be a man instead, a white man."
2. A War Of White Liberation
Despite the passivity and conservatism that marks much of the racially conscious community, it is not difficult to understand why our nobler spirits would want to wash their hands of the American experiment.
With great justice, Covington argues that a century of peaceful, legal methods to reverse the racial policies of the United States have been totally ineffective. "Petitions have been ignored . . . The electoral and political process has been undermined . . . The judiciary has become an instrument of racial and social tyranny." All the while, the reigning powers continue their de-Europeanization, using all their vast powers to re-engineer the American population and eviscerate its racial heritage.
Given that all the forces of indoctrination, socialization, and influence are in enemy hands and that all the principal institutions and social-economic structures are arrayed against us, the thought of using the system's established forms to bring down the ZOG, repatriate the 100 million muds occupying our lands, or reverse the present ethnocidal course of American developments is nothing short of fantastic. Given also that every effort to reverse American racial policy has failed and that this policy threatens the survival of the European race in North America, the sole remaining recourse, Covington insists, is the "right" to take up arms against the system threatening us.
As Covington imagines it, the struggle to establish an independent white homeland in the American Northwest will resemble an anti-colonial war, waged in ways not unlike the campaign the Provisional IRA carried out against the British government in Northern Ireland after 1969. Sustained by a migration of racially aware whites to the region (Covington mentions 50,000 migrants), the NVA that is to arise from some future effort to acquire a "small piece of territory" will challenge Washington's monopoly of armed force and undermine its revenue producing sources, making it impossible for the federal government to maintain its authority over the Pacific Northwest.
But how realistic is such a prospective struggle against the ZOG? To many it will seem even more fantastic than the alternatives that Covington criticizes. And to those who know something about the physical-force wing of Irish Republicanism, it will seem no less fantastic to imagine that American white nationalists (whose struggles are waged almost entirely in cyber space) could emulate the IRA gunmen, street fighters, and terrorists who fought the British Army to a standstill.
These objections, though, are not actually an argument against Covington's notion of a white liberation struggle - only an obstacle to be overcome. History, moreover, is full of improbable undertakings. Who would have thought that 10,000 lightly-armed Sunni insurgents would check the conquests of America's imperial legions? Great historical transformations are almost always implausible until they happen. Part of this is due to the fact that it is rarely the size of one's armed divisions or the quality of one's military technology that matters, but rather certain qualities of the human spirit. As Victor Hugo put it: "Mightier than the tread of marching armies is the power of an idea whose time has come." If American whites, especially their racially conscious vanguard, should ever imbue the NW migration with the force of a Sorelian myth (that is, with the force to act), there is simply no telling what may happen. "Nothing is impossible" - not even the thought of white men marching to the sound of the guns.
To those who would dismiss this as wishful thinking, it might be added that not only does the survival of the white race depend upon such a mythic transformation of white consciousness, but that our age has turned such transformations into something of a Zeitgeist. With the advent of globalization and the fourth-generation war it provokes, traditional state systems have everywhere gone into crisis, as anti-national elites endeavor to impose a one-world superstate that reduces everything to the market demands of the Jew-led Yankee money men cashing in on the extermination of white race.
The idea of a white liberation struggle is not, then, entirely implausible. Nor would there be any lack of potential Volunteers. Sections of the middle class, deprived by globalization of the lifestyles which insured their traditional passivity, are already feeling embittered and by-passed. A sharp economic downturn, the collapse of the dollar, a humiliating military retreat from Iraq, an energy crisis that undermines our automotive civilization, a protracted governmental paralysis - the conditions could suddenly arise when elements among the complacent, TV-programmed white masses are forced to the conclusion that their allegiances are misplaced. In any case, conditions for whites are almost certain to continue to deteriorate.
Echoing the theorists of partisan, guerrilla, or asymmetrical warfare of the last half century, Covington contends that the bigger and more complex the ZOG becomes, the more vulnerable it is to "a few brave men with weapons in their hands and the courage to use them." American society, he notes, is "so complex, everything so interactive and interlocking and dependent on everything else, that when you cut the chain at one point the whole works just grounds to a halt."
The struggle for white liberation would also benefit from the fact that the US government is already a corrupt, mismanaged institution and that American society, premised on purely economic criteria, lacks real cohesion. The whole system, in fact, rests on a foundation of sand. All the powers of corruption, incompetence, cowardice, and short-term thinking conspire against it. (Think of Katrina New Orleans). Its declining revenues and budget constraints are even now making it difficult to fund its repressive apparatus. At the same time, the system is more and more served by inept muds and the Jews who manage the system's decision-making centers are beginning to overreach themselves, pushing their host people in ways that formerly ended in pogroms. Is it so inconceivable to think that an armed white opposition could force it out of the Northwest?
3. A Homeland
Once it is accepted that the United States constitutes the principal threat to our existence and that we will be free of its perverse, ethnocidal policies only through force of arms, then the third, most crucial facet of Covington's vision comes into focus: The imperative of creating a white homeland.
Terre et Peuple, Blut und Boden: The notion that every people needs its own land is as old as Europe itself. In the postmodern, transnational, and global order favored by our one-world elites such a notion, of course, is deemed obsolete, as if the quantitative monetary principles of the world market are a better way of organizing social life than traditional ones based on healthy families, organic communities, and ethnoracial identities. In the last generation, this ancient notion has assumed a new urgency: For the rising tide of color has everywhere begun to sweep into the former white homelands, threatening the integrity of white life. One more generation of Third World immigration and the great race passes away forever.
A racially exclusive homeland, the antithesis of the New World Order, would in Covington's view be our "ark to weather the great flood of mud." "It is absolutely essential," he argues, "that the white race acquire a Homeland of its own, some place on earth where white children can be born and raised in physical and spiritual safety, and where our numbers may be restored and the threat of racial extinction overcome."
Based on blood, not creed or economics, such a homeland would guarantee the perpetuality of our people. It would also solve most of the social, political, and cultural problems that ail us. For once free of the Jews who have pathologized white existence and who have set the colored hordes on us, we could begin dealing honestly and forthrightly with the problems besetting our civilization. Indeed, once free of the Jews and their multiracial legions, most of these problems would simply vanish. The result would almost certainly be a renaissance of European life in North America. As one of Covington's characters observes: "When you have stability and unity in a racially homogenous society . . . you'd be amazed what a small country like ours can accomplish."
This vision of a sovereign Aryan Republic is, of course, merely a figment of Covington's imagination, but imagination, as Shakespeare reminds us, "bodies forth the things unknown."
